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question:You are an AI assistant. You will be given a task. You must generate a detailed and long answer. Here is a premise: the same kind of thing Here is a hypothesis: It is the same kind of thing so you should be used to it. Here are the options: Select from the following. * yes. * it is not possible to tell. * no. Is it possible to conclude that if the premise is true, then so is the hypothesis?
answer:Based on the given premise and hypothesis, it is possible to provide an analysis and evaluate the likelihood of the hypothesis being true if the premise is true. Let's break down each component before providing a detailed answer. Premise: The same kind of thing The premise states that there is a situation, object, or event that is of the same type or category as another. It implies similarities or shared characteristics between the two entities being compared. This premise alone, however, does not provide enough information to determine specific details or nuances that might be relevant to assessing the veracity of the hypothesis. Hypothesis: It is the same kind of thing, so you should be used to it. The hypothesis suggests that because the situation, object, or event is the same kind of thing, one should be accustomed or familiar with it. This implies that past experiences with similar entities should have prepared someone for dealing with the current one. Options: 1. Yes 2. It is not possible to tell 3. No To determine whether the hypothesis is true if the premise is true, let's consider each option: 1. Yes If the premise "the same kind of thing" is true, it would make sense that the hypothesis suggesting that one should be used to it might also be true. This is because past experiences and encounters with similar entities might have allowed someone to develop a familiarity or comfort level in dealing with them. However, there are still factors that could possibly affect this conclusion, such as the individual's personal experiences, memory retention, or the specific context of the situation. 2. It is not possible to tell Considering that the premise alone offers limited information about the specific attributes or context of the entity being referred to, it might be challenging to definitively conclude that the hypothesis is true. While there might be a possibility that one should be used to it based on past experiences, other factors could impact this, such as variations within the same category, differences in context, or the possibility of anomalies. 3. No Although the hypothesis suggests that one should be used to the situation, object, or event since it is "the same kind of thing," the premise alone does not guarantee this result. For instance, individuals may have different learning trajectories or personal experiences that affect their familiarity with the entity in question. Moreover, there could be specific aspects or nuances of the current entity that diverge from previous encounters. Conclusion: Taking into account the available information, it is not possible to tell with certainty that if the premise is true, then the hypothesis is also true. While it might be likely that one could be used to a situation, object, or event if it falls under the same category as prior experiences, external factors and individual variances could impact this outcome. It is essential to gather more context and details on the specific entity in question to make a more definitive evaluation.
question:You are an AI assistant. You will be given a task. You must generate a detailed and long answer. Gladys Leslie (March 5, 1899 – October 2, 1976) was an American actress in silent film, active in the 1910s and 1920s. Though less-remembered than superstars like Mary Pickford, she had a number of starring roles from 1917 to the early 1920s and was one of the young female stars of her day. Can we infer the following? Gladys Leslie had many roles. Select from: (a). Yes (b). It's impossible to say (c). No The answer is:
answer:(a). Yes Gladys Leslie, born on March 5, 1899, was an American actress who became active in the silent film era during the 1910s and 1920s. While she may not have been as well-known as some of her contemporaries like Mary Pickford, her acting career boasted a number of starring roles between 1917 and the early 1920s. As one of the young female stars of her day, it is clear that Gladys Leslie had many roles during her time in the film industry. Leslie's career began when she was just 18 years old, with her first film appearance in "The Candy Girl" (1917). This marked the beginning of her transition from stage to screen, and over the following years, Leslie starred in numerous silent films. Some of her most notable performances include roles in "A Morning Adventure" (1917), "The Girl and the Crisis" (1918), "The Chorus Girl’s Romance" (1920), and "Captain Swift" (1920). Gladys Leslie worked with several influential directors of the silent film era, such as Charles Brabin and George Irving. She was also highly praised by film critics for her natural acting ability and captivating screen presence. Despite her successes, Leslie's career started to wane with the introduction of sound in films. Struggling to make the transition to "talkies," she made her final on-screen appearance in the 1925 film "The Girl of Gold." After her retirement from acting, she led a private life and passed away on October 2, 1976. In conclusion, based on the information provided that Gladys Leslie was an active American actress in silent films from 1917 to the early 1920s and was one of the young female stars of her day, it can be inferred that she indeed had many roles throughout her career.
question:You are an AI assistant. User will you give you a task. Your goal is to complete the task as faithfully as you can. While performing the task think step-by-step and justify your steps. Please briefly summarize this news article: A Pre-Thanksgiving Ritual: Cocktails, Catch-Ups and Maybe a Kiss There was a short line outside the Stumble Inn on 76th Street and Second Avenue in Manhattan on Wednesday night. Women decked out in what seemed to be matching puffy coats huddled together under the bar’s overhang. Men wore Uniqlo flannel. There was an excited energy in the air, but it was not holiday spirit. It was the hope, perhaps, that before the clock would strike 4 a.m. and the Prince Charmings and Cinderellas would have to retreat home in cabs for turkey and pumpkin pie, they might ring in the holiday season with a night of debauchery and unapologetic fun. And by the way, if you thought that the first snowstorm of the year would keep young 20-somethings away from the bars on what is infamously referred to as the most insane party night of the year, you thought wrong. So wrong. Inside, Justin Timberlake’s “Sexy Back” played loudly, and Shamar, the doorman, inspected IDs (but gave only his first name for privacy reasons). He has been working this job for three years, so he believes he is pretty good at judging the scene. The night before Thanksgiving usually turns out a similar size crowd as a regular Friday or Saturday, he said, but the energy is better. “Everyone just wants to be merry tonight,” he said of the crowd. Merry they were. Packets of friends monopolized dark brown leather booths, a group of eight guys threw back shots of tequila by the beer pong table, two girlfriends shrieked and embraced upon seeing each other for the first time in months. Tabs were opened and kept open. ’Twas the night before Thanksgiving. Once again, it was a big bar night around the country for the post-collegiate and barely legal set — traveling to their hometowns for the holiday. For some, it was about finding an hourslong romance in a crowded bar of strangers. For others, the lure was striding into that one place that used to deny them entry when they were underage and seeing everyone they grew up with and having, finally, a compelling answer to the questions of “What are you up to these days?” For all, it was about the possibility of a tipsy, consequence-free kiss. By Thursday, these same revelers would be kicking back with relatives, avoiding conversations about politics and religion, wondering if crazy Aunt Judy would again ask when they were going to finally settle down. (She’s not going to be around forever, you know, and she would like to see at least one of her nieces or nephews get married.) There would be food, family and football. But first would come flirting. Sitting at a corner of the mahogany bar were Wendy Dallis and Richie O’Mahoney. If you had only a minute to study them, you would think they were in a long-term relationship. Mr. O’Mahoney’s hand rested on Ms. Dallis’s leg. Now and again, she leaned in close to make a joke, then tilted her head back in wild laughter. They seemed blissfully unaware of any others. Turns out, they had only met two nights earlier. Ms. Dallis, a singer in the band Ferrari Truck, told the story of girl-meets-boy. Or in this case, bartender: Mr. O’Mahoney, 33, works at the Gael Pub, which is about 10 blocks from the Stumble Inn. She had wandered there last Monday night after having had a few drinks while singing downtown at the Mercury Lounge. “I told him I was hungry, and he gave me olives, and I told him he had to make sure I got home that night,” she said. “He texted me the next morning asking if I wanted to hang out.” Ms. Dallis told Mr. O’Mahoney she would meet him at the Stumble Inn on Wednesday night. From that perch, they discussed meeting up on Thanksgiving, too. As they focused on their new connection, a dozen or so fraternity brothers waxed about their old days at the University of Pennsylvania. Meeting up for Thanksgiving Eve drinks is their annual tradition, said Lionel Anderson, 32, of Philadelphia. He and a group of his Alpha Phi Alpha friends have dinner at Dallas BBQ on 73rd Street and Third Avenue, and walk a few blocks up to the Stumble Inn. Mr. Anderson, now the assistant director of academic research at Haverford College, said he is the only one of the brothers who doesn’t live in New York City. But this pre-Thanksgiving event is a priority for him: “I haven’t missed a Thanksgiving Eve night out since 2001.” He reminisced about the years when they were younger and a little more carefree, he said, adding that those nights were crazier. Now, he said, “it’s about catching up with old friends over a drink or two, and getting nostalgic for our college days.” By now, R. Kelly’s “Ignition (Remix)” had begun to play. The song is an anthem of sorts for anyone who was in high school or college in the early aughts (which, on Wednesday night was most everyone). One young woman stood on her chair and started dancing and singing along, every lyric memorized. The crowd whooped in delight. A bit farther south on Second Avenue, a different crowd congregated at Turtle Bay, a renowned party bar not far from the Queensboro Bridge, it’s a favorite spot for those traveling from Long Island and New Jersey in search of a night of big-city fun. The scene at Turtle Bay was younger and a little rowdier. A steady rain and snow mix fell as a line zigged outside the door. Sean Paul’s 2005 hit “Get Busy” could be heard thumping from inside. The cover charge was 5 for women and 10 for men. The doorman granted entry at his leisure. A soggy pile of umbrellas accumulated on the ground inside. Hanging out by the bar, trying to catch the attention of the blond bartender were two buddies — Charles Gehnrich, a senior at SUNY Geneseo, and Steven Davies, a senior at Towson University in Maryland. The two 21-year-olds, childhood friends originally from Syosset, N.Y., were home for the holiday and ventured into the city for their first official “legal night out” on Thanksgiving Eve. They had chosen Turtle Bay because a friend of theirs had won a free happy hour for a small group. “I’m a broke college student!” Mr. Davies said, never diverting his eyes from one of the seven TV screens showing the Knicks game. “I’m just trying to get drunk, that’s it.” Then he looked away from the game, for just a moment. “But there should be more girls here,” he said. Indeed, Turtle Bay was heavy on the cheap drinks, including neon-colored tubes of alcohol being sold for 5 by an aggressive saleswoman who ported them about, cigarette-girl style. But the guy-to-gal ratio did not favor gentlemen looking to hook up with women. And the women who were there, weren’t digging the vibe. “This is so not my scene,” Trisha Barry, 24, yelled over the music. Her friend Kelsey Demsky, who would turn 24 at midnight, nodded her head in annoyed agreement. The women said they had been invited to the bar by a colleague at T. J. Maxx, who had told them he wanted to ring in Ms. Demsky’s birthday “the right way,” Ms. Demsky said, “whatever that means.” What they really wanted to do was head home to Brooklyn to prep for their Thanksgiving, which they would be spending Thursday afternoon together in their apartment in Bensonhurst. They did not want to drink too much. “We have to cook tomorrow,” Ms. Barry said. Back uptown at the Stumble Inn, Mr. O’Mahoney and Ms. Dallis grabbed their coats and prepared to leave together into the rainy night. It was a successful second date, they both said, and then Ms. Dallis hinted it might not yet be over. “We already kissed,” she said, grabbing his hand. “And I’m still here.” A version of this article appears in print on November 30, 2014, on page ST1 of the New York edition with the headline: A Night for Hookups. Order Reprints| Today's Paper|Subscribe
answer:On Thanksgiving Eve, young adults across the country gathered at bars, such as the Stumble Inn in Manhattan, to celebrate before spending the holiday with their families. This particular night has become infamous for partying and potential romantic encounters in crowded bars. Some meet up with old friends to catch up and reminisce about their college days, while others are seeking an hours-long romance or flirtatious fun before returning to family obligations on Thanksgiving Day.
question:You are an AI assistant. You will be given a task. You must generate a detailed and long answer. Despite the openness of the EU public procurement market, access to third-country public procurement markets is still restricted to a large extent. Translate to Romanian
answer:Deschiderea pieței publice de achiziții din UE este un factor pozitiv, însă accesul pe piețele de achiziții publice ale țărilor terțe rămâne, în mare măsură, restricționat. În ciuda pieței de achiziții publice din UE fiind deschisă, accesul pe piețele de achiziții publice din țări terțe este în continuare restricționat în mare parte. Această situație poate crea provocări pentru întreprinderile care doresc să intre pe aceste piețe, cât și pentru autoritățile responsabile cu reglementarea piețelor de achiziții publice. Există mai multe motive pentru care accesul la piețele de achiziții publice ale țărilor terțe remain restricționate. Acestea includ diferenețele în sistemul legal și reglementar, precum și preferințele naționale pentru furnizorii interni în detrimentul celor străini. În plus, pot exista și bariere tehnice și administrative care pot face dificilă participarea întreprinderilor din UE pe piețele de achiziții publice ale țărilor terțe. UE urmărește să faciliteze accesul pe piețele de achiziții publice ale țărilor terțe prin negocieri comerciale bilaterale și multilaterale. Aceste negocieri pot duce la încheierea unor acorduri comerciale care liberalizează piețele de achiziții publice și permit întreprinderilor din UE să participe într-un mod mai ușor și mai transparent la licitațiile publice din țările respective. Un exemplu în acest sens este Acordul privind Achizițiile Publice (GPA), care face parte din Organizația Mondială a Comerțului (WTO). GPA include o serie de țări, inclusiv țări din UE și țări terțe, și vizează reducerea barierelor pentru întreprinderile care participă la licitații publice și promovarea unor piețe de achiziții publice mai deschise și mai transparente. Cu toate acestea, chiar dacă există acorduri comerciale și mecanisme pentru a facilita accesul pe piețele de achiziții publice ale țărilor terțe, întreprinderile din UE se pot confrunta în continuare cu provocări și obstacole în calea participării la licitații publice în respectivele țări. Pentru a aborda aceste provocări și pentru a sprijini întreprinderile în procesul de licitație, autoritățile din UE pot oferi asistență și resurse care să ajute la depășirea barierelor existente. În concluzie, accesul pe piețele de achiziții publice ale țărilor terțe rămâne restricționat în mare măsură, în ciuda deschiderii pieței publice de achiziții din UE. Acest lucru poate crea provocări atât pentru întreprinderile care doresc să intre pe aceste piețe, cât și pentru autoritățile responsabile cu reglementarea. UE urmărește să faciliteze accesul pe aceste piețe prin negocieri comerciale și acorduri, precum și prin furnizarea de asistență și resurse pentru întreprinderi în procesul de licitație.