answer:Sure, I'd be happy to add more details and depth to Jessica's character and her struggles at work and at home. Here's an updated version of the screenplay: Title: Unjust FADE IN: EXT. CITYSCAPE – DAY The towering skyscrapers of downtown Los Angeles loom in the backdrop. Traffic in the streets is chaotic, indicating it’s the start of another busy workday. We ZOOM IN on one particular building, a nondescript and imposing glass structure. The sign on the front reads “Seaside Investments.” INT. SEASIDE INVESTMENTS – DAY JESSICA BARRON, 30s, elegant and poised, rushes through the bustling lobby towards the elevator bank. She’s wearing a power suit and carrying a designer bag. Her cellphone rings, and she answers. JESSICA (into phone) Hi, this is Jessica. TONY (O.C.) (through phone) Jessica, Tony here. Listen, I need to talk to you about the office renovation project. Can you come to my office ASAP? Jessica looks troubled, but she agrees. JESSICA Sure thing, Tony. I’ll be there in five. INT. TONY’S OFFICE – DAY TONY REYNOLDS, 50s, smug and self-important, is sitting behind his massive desk. Jessica enters the room. TONY (smiling) Ah, Jessica. Good to see you. How’s your day going? JESSICA (warily) It’s going alright, Tony. What’s going on with the renovation project? Tony leans back and steeples his fingers. TONY (sighing) I’m sorry to say that the board has decided to go with someone else for the project. A bigger firm with more experience. Jessica’s face falls, and she looks devastated. JESSICA (voice shaking) What? But I’ve been working on this for months. I’ve poured my heart and soul into it. TONY (tightly) I know, Jessica. Believe me, I fought for you. But the board didn’t see it that way. They think we need a more established firm, especially given the current market conditions. Jessica swallows hard and nods. JESSICA (resignedly) I understand. Thank you for letting me know. Tony nods and dismisses her with a wave of his hand. Jessica turns and walks out of the office, her expression stoic. She heads towards the elevator, her thoughts racing. INT. ELEVATOR – DAY Jessica leans against the wall of the elevator and pulls out her phone. She dials a number. JESSICA (into phone) Hi, Mom. It’s me. How are you doing? MOM (O.C.) (through phone) (weakly) I’m doing all right, dear. How about you? Jessica hesitates for a moment. JESSICA (forced cheerfulness) I’m good. Just busy with work. Listen, I wanted to come over this weekend. How are you feeling? MOM (O.C.) (offhandedly) Oh, you don’t need to come over, Jessica. I’m fine. Really. Jessica’s face falls, and she looks frustrated. JESSICA (pleadingly) Mom, please. I want to be there for you. You’re still recovering from the accident, and it’s not easy for you to take care of yourself. MOM (O.C.) (voice quavering) I know, dear. I know. But you have your own life too. You shouldn’t have to worry about me all the time. Jessica takes a deep breath and forces a smile. JESSICA (reassuringly) I’m not worried, Mom. I just want to spend some time with you. We can catch up, watch some movies, and just relax. MOM (O.C.) (smiling) That sounds lovely, dear. Thank you. Jessica hangs up, and the elevator dings to signify her arrival on her floor. INT. SEASIDE INVESTMENTS – DAY Jessica walks towards her office, ignoring the curious glances from her colleagues. She’s a rising star in the company, and everyone knows it. But lately, she’s been off her game. She’s made mistakes, missed deadlines, and lost her edge. Inside her office, she sits at her desk and stares at the computer screen. INSERT SCREENPLAY TEXT: “Intercut between Jessica’s work and personal life, we see the various challenges she’s facing. Her mother is recovering from a car accident, and Jessica is trying to be there for her as much as possible. Meanwhile, at work, she’s been betrayed by a colleague and lost a major project that she’s been working on for months. She’s under immense pressure to prove herself and stand out among her male, older colleagues. All of this is taking a toll on her, and she’s barely holding it

answer:Sure, here's an updated version of the screenplay that includes some scenes that show Jessica's interactions with her colleagues and how she's trying to navigate the workplace politics: Title: Unjust FADE IN: EXT. CITYSCAPE – DAY The towering skyscrapers of downtown Los Angeles loom in the backdrop. Traffic in the streets is chaotic, indicating it’s the start of another busy workday. We ZOOM IN on one particular building, a nondescript and imposing glass structure. The sign on the front reads “Seaside Investments.” INT. SEASIDE INVESTMENTS – DAY JESSICA BARRON, 30s, elegant and poised, rushes through the bustling lobby towards the elevator bank. She’s wearing a power suit and carrying a designer bag. Her cellphone rings, and she answers. JESSICA (into phone) Hi, this is Jessica. TONY (O.C.) (through phone) Jessica, Tony here. Listen, I need to talk to you about the office renovation project. Can you come to my office ASAP? Jessica looks troubled, but she agrees. JESSICA Sure thing, Tony. I’ll be there in five. INT. TONY’S OFFICE – DAY TONY REYNOLDS, 50s, smug and self-important, is sitting behind his massive desk. Jessica enters the room. TONY (smiling) Ah, Jessica. Good to see you. How’s your day going? JESSICA (warily) It’s going alright, Tony. What’s going on with the renovation project? Tony leans back and steeples his fingers. TONY (sighing) I’m sorry to say that the board has decided to go with someone else for the project. A bigger firm with more experience. Jessica’s face falls, and she looks devastated. JESSICA (voice shaking) What? But I’ve been working on this for months. I’ve poured my heart and soul into it. TONY (tightly) I know, Jessica. Believe me, I fought for you. But the board didn’t see it that way. They think we need a more established firm, especially given the current market conditions. Jessica swallows hard and nods. JESSICA (resignedly) I understand. Thank you for letting me know. Tony nods and dismisses her with a wave of his hand. Jessica turns and walks out of the office, her expression stoic. She heads towards the elevator, her thoughts racing. INT. ELEVATOR – DAY Jessica leans against the wall of the elevator and pulls out her phone. She dials a number. JESSICA (into phone) Hi, Mom. It’s me. How are you doing? MOM (O.C.) (through phone) (weakly) I’m doing all right, dear. How about you? Jessica hesitates for a moment. JESSICA (forced cheerfulness) I’m good. Just busy with work. Listen, I wanted to come over this weekend. How are you feeling? MOM (O.C.) (offhandedly) Oh, you don’t need to come over, Jessica. I’m fine. Really. Jessica’s face falls, and she looks frustrated. JESSICA (pleadingly) Mom, please. I want to be there for you. You’re still recovering from the accident, and it’s not easy for you to take care of yourself. MOM (O.C.) (voice quavering) I know, dear. I know. But you have your own life too. You shouldn’t have to worry about me all the time. Jessica takes a deep breath and forces a smile. JESSICA (reassuringly) I’m not worried, Mom. I just want to spend some time with you. We can catch up, watch some movies, and just relax. MOM (O.C.) (smiling) That sounds lovely, dear. Thank you. Jessica hangs up, and the elevator dings to signify her arrival on her floor. INT. SEASIDE INVESTMENTS – DAY Jessica walks towards her office, ignoring the curious glances from her colleagues. She’s a rising star in the company, and everyone knows it. But lately, she’s been off her game. She’s made mistakes, missed deadlines, and lost her edge. Inside her office, she sits at her desk and stares at the computer screen. INSERT SCREENPLAY TEXT: “Intercut between Jessica’s work and personal life, we see the various challenges she’s facing. Her mother is recovering from a car accident, and Jessica is trying to be there for her as much as possible. Meanwhile, at work, she’s been betrayed by a colleague and lost a major project that she’s been working on for months. She’s under immense pressure to prove herself and stand out among her male, older colleagues. All of this is taking a toll on her, and she’s barely holding it together

answer:She will never go away like her father. Others will also leave. They do not want you here young man. Do you think about this situation?

answer:I do not have sufficient context to determine who "they" are in the given text. It could refer to a group of people who do not want the mentioned boy to be present, but without more details or information, it's difficult to say for sure.